rizzoli new york

Nelson A. Rockefeller, one of the greatest art patrons of the recent past and as yet unheralded for the extraordinary legacy he left behind, had an inspired vision for New York State’s capital. While governor of the state from 1959-1973 he undertook what was at the time the most ambitious public art project ever conceived-one which set the standard for public funding in the arts. The result of this ambitious project was an unrivaled collection of modern and contemporary art, which boasts nearly 100 works of art, all of which are in public view in Albany. The collection includes work by Jackson Pollock, Mark Rothko, Helen Frankenthaler, Donald Judd, Ellsworth Kelly, David Smith, Robert Motherwell and many other important artists. The beautifully illustrated volume, which features six 4page gatefolds, includes expert essays by major scholars and curators including John Elderfield, Robert Storr and Pepe Karmel, all of The Museum of Modern Art. Glenn Lowry, current director of The Museum of Modern Art contributes a substantive essay on the collection and Rockefeller’s extraordinary efforts to form it. The second essay, written by the collection’s curator, offers the first indepth look at the politics surrounding the formation of the collection.

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Once the bastion of the haute bourgeoisie, the town house has now been embraced by families with young children, single urban professionals, and retired couples, all looking for more comfortable city or suburban living. Architect Alexander Gorlin explores a spectacular array of diverse town house designs (often referred to by different terms in different parts of the country) that carry this familiar symbol of architectural innovation and refinement into the twenty-first century. Creating the New American Town House features cutting-edge town houses that each draw from architectural tradition while achieving originality by both breaking from and adhering to the limitations of the town house form. Within the typical five-story frame and two parallel walls presented here are ingenious and exquisite and, above all, extremely livable design solutions to the constraints of this classic housing type.
Ranging from sites in New York, San Francisco, Seattle, Los Angeles, and Washington, DC, each of the buildings featured in Creating the New American Town House represents an eloquent contribution to the form and is designed by such celebrated architects as Steven Ehrlich, Hugh Newell Jacobson, Stanley Saitowitz, and 1100 Architect. Each project is extensively illustrated with full-color photography that showcases the interior design as well as plans and drawings. Alexander Gorlin’s insightful text continues the discourse begun in his The New American Town House, surveying the adaptation of this beloved urban dwelling to the demands of a new century.

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The best guidebook for those who want to experience the finest art in New York. The first fully illustrated guide to the collections of New York’s Museums and Galleries that actually works the way people like to see art. Rather than taking the old fashioned approach of listing the city’s various museums and then describing highlights, this book focuses on the art. Arranged chronologically from ancient art through today, the book is part guide and part art history – each section is devoted to a certain period, and then highlighted where the best works of that period are to be found. Rather than spending an entire day at the Metropolitan Museum with its overwhelming collections, this book allows you to choose one period, style or individual artist and trace a tour through the city finding all the relevant masterpieces – museum by museum, gallery by gallery. This truly innovative organization mimics the way most people actually prefer viewing art and will make this guide the must have for any art lover – whether you are a beginner or a longtime connoisseur. This is the first city guide book to focus solely on those who travel to see great art – both classic and contemporary. The book is organized roughly chronologically into 25 chapters sorted into three sections – Early Art (ancient Egyptian, classical antiquity, medieval art), the Western Tradition (Northern and Southern Renaissance, Golden Age of Dutch Painting, Realism, Romanticism, etc.), and Modern Art (Impressionism, Fauvism, Expressionism and up to today’s contemporary scene). A fourth section provides references including maps, indices of museums and artists, and other helpful suggestions for navigating the city and finding the art masterpieces of you seek.

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A century of Harlem, through the eyes and lenses of some of the most important artists and photographers of the twentieth century. The vibrant and bustling neighborhood occupying the upper reaches of Manhattan has been at the crossroads of the artistic, literary, and political currents of the African-American community since the early days of the twentieth century.

Home to writers and revolutionaries, artists and agitators, Harlem has been both subject and inspiration for countless photographers. This sweeping photographic survey includes nearly two hundred images that tell the story of Harlem – its distinctive landscape and extraordinary inhabitants – throughout the twentieth century. Featured artists include: Gordon Parks, James VanDerZee, Eve Arnold, Alice Attie, Cornell Capa, Henri Cartier-Bresson, Richard Avedon, Dawoud Bey, Chester Higgins, Jr., Helen Levitt, Aaron Siskind, Bruce Davidson, Roy DeCarava, Leonard Freed, Carl Van Vechten, and Weegee. The book features essays by leading scholars of African-American studies and art - including Deborah Willis, Cheryl Finley, Elizabeth Alexander, and Dr. Henry Louis Gates, Jr. – which are paired with the work of eighty artists and photographers, affording this enclave the richest chronicling in its history.

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There is a burgeoning movement afoot, a return to the art of making things by hand. A growing group of aware and committed people are seeking out high-quality handmade goods, and New York City is at the forefront of this renaissance.

This book takes the reader into the studios of master artisans in fields such as glassblowing, masonry, and wood carving as well as hatmaking, embroidery, and calligraphy. It provides the ultimate sourcebook for objects with real character—whether for renovating the home, re-creating a look from the past, searching for a one-of-a-kind gift, or restoring a beloved antique. The reader will discover hidden gems such as hand-turned ceramic bowls, tables made from a single piece of wood, baskets fashioned from rare black ash, and hand-blocked wallpaper. The tradespeople profiled here have reached a level of expertise attained only through years of practice. These professionals are obsessive about quality and are driven by a profound passion for their work. Most of them toil in obscurity and normally can be found only through word of mouth—until now.  

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There is a burgeoning movement afoot, a return to the art of making things by hand. A growing group of aware and committed people are seeking out high-quality handmade goods, and New York City is at the forefront of this renaissance.

This book takes the reader into the studios of master artisans in fields such as glassblowing, masonry, and wood carving as well as hatmaking, embroidery, and calligraphy. It provides the ultimate sourcebook for objects with real character—whether for renovating the home, re-creating a look from the past, searching for a one-of-a-kind gift, or restoring a beloved antique. The reader will discover hidden gems such as hand-turned ceramic bowls, tables made from a single piece of wood, baskets fashioned from rare black ash, and hand-blocked wallpaper. The tradespeople profiled here have reached a level of expertise attained only through years of practice. These professionals are obsessive about quality and are driven by a profound passion for their work. Most of them toil in obscurity and normally can be found only through word of mouth—until now.  

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There is a burgeoning movement afoot, a return to the art of making things by hand. A growing group of aware and committed people are seeking out high-quality handmade goods, and New York City is at the forefront of this renaissance.

This book takes the reader into the studios of master artisans in fields such as glassblowing, masonry, and wood carving as well as hatmaking, embroidery, and calligraphy. It provides the ultimate sourcebook for objects with real character—whether for renovating the home, re-creating a look from the past, searching for a one-of-a-kind gift, or restoring a beloved antique. The reader will discover hidden gems such as hand-turned ceramic bowls, tables made from a single piece of wood, baskets fashioned from rare black ash, and hand-blocked wallpaper. The tradespeople profiled here have reached a level of expertise attained only through years of practice. These professionals are obsessive about quality and are driven by a profound passion for their work. Most of them toil in obscurity and normally can be found only through word of mouth—until now.  

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“What [Trecartin] has unleashed is larger than himself, which is why both his sudden appearance and continuing evolution are such cause for hope.”—Roberta Smith, New York Times

“The most consequential artist to have emerged since the nineteen-eighties, he is being hailed as the magus of the Internet century.” –Peter Schjeldahl, The New Yorker

Since the debut of his first feature-length video, the 2004 A Family Finds Entertainment, Ryan Trecartin (b. 1981) has been hailed as one of the most exciting artists of his generation. His movies layer the visual and the aural in virtuosic combinations of color, form, drama, and montage to produce a sublime, stream-of-consciousness effect that feels bewilderingly true to life. This volume, the first monograph on Trecartin, includes extended illustrated sections on his seven-part epic Any Ever, 2009–10, as well as I-Be Area, 2007, and A Family Finds Entertainment. A trio of essays by curators Lauren Cornell, Kevin McGarry, and Linda Norden focus on Trecartin’s repurposing of language, his open-source approach to personality and gender, and his extended amplifications of consumer culture. An interview with Trecartin by artist Cindy Sherman provides a revealing glimpse into his collaborative process.

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